There’s no soft fade-in or gentle opening that allows listeners to settle into the album slowly - it’s a metaphor for being thrust into a fluctuating world. The album’s opening track “Reverie” launches you straight into the midst of Farrar’s whirlwind outlook on life. But, if anything, this lapse worked out immensely in their favor, adding a much-needed air of coherent social commentary to an otherwise instrumentally sound album. Though frontman Jay Farrar’s original intent was to have politics take a back seat on Electro Melodier, it’s clear that with the tumultuous times and uncertainty for the future, Farrar and company were forced to change their mission. It might not solve all our problems, but Electro Melodier is certainly a worthwhile listen. Appealing to the middle-class worker and beyond, Son Volt hopes to glue the pieces of a broken country back together through a moving, high-energy rock album. On its newest album, Electro Melodier, released July 30, Son Volt settles into a comfortable groove, not only with regard to its musical style but how the band weaves the tale of a nation rocked by former president Donald Trump’s divisive term. “Daylight brings the clues to the world to life/Make or break gotta do what it takes to survive.Since its creation in 1994, Son Volt’s music has stayed true to its roots in alternative country as it volleys between glum and hopeful lyricism. The songs of Electro Melodier help remind us to be thankful of what we still have – new music from Jay Farrar and Son Volt. With tour dates scheduled before the end of 2021, Son Volt is ready to return to what they know best after a welcome period of introspection. “These are the Times” was recorded entirely remotely by Zoom, signaling one of the new methods of making music ushered in by Covid. One listen to Electro Melodier, which opens with “Reverie,” describing Farrar’s contemplative state gazing out his window, enlivened with Mark Spencer’s “Wichita Lineman” guitar riffs and the lush Big Star melodies, and you wonder why no other rock ‘n’ roll bands or singer/songwriters are making albums like this about what we’re all going through.įarrar is grateful to his wife of 25 years, a sentiment which he expresses lovingly on “Diamonds and Cigarettes” – featuring vocals by country singer Laura Cantrell, along with songs like the soulful “Lucky Ones” and “Sweet Refrain,” a song that captures the spirit of Bentonia, Mississippi, home of Skip James along with name checks for local legends Jimmy “Duck” Holmes and the Bluefront Cafe. Once again accompanied by the current Son Volt line up – keyboardist/steel guitarist Mark Spencer, bassist Andrew Duplantis, guitarist Chris Frame and drummer Mark Patterson – Farrar takes a slight turn from 2019’s politically pointed Union to a series of songs that asks questions rather than demanding answers – think of “Living in the U.S.A.” as Farrar’s version of Bruce Springsteen’s “Born in the U.S.A.,” Neil Young’s “Rockin’ in the Free World” or Patti Smith’s “People Have the Power,” an anthem to unite the populace. Social protest songs like “Living in the U.S.A.” and “The Globe,” the former about the promises of this nation gone wrong, the latter referencing the street protests accompanying the Black Lives Matter movement, exist side by side with odes to long-term relationships (specifically his 25-year marriage) in “Diamonds and Cigarettes” and “Lucky Ones.” The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the disc’s unique blend of folk, country, blues, soul and rock – an electric troubadour with melodies that hit and stick. Instead of a triumphant tour marking the illustrious landmark, Farrar was forced indoors by the pandemic, and his “Reverie” during that time helped define Electro Melodier, Son Volt’s 10th studio album – and third for influential Nashville indie Thirty Tigers. The group had just finished an Outlaw Country Cruise when the pandemic hit and sent them into their homes on lockdown. 3017 SE Milwaukie Ave, Portland, OR 97202Ģ020 was not quite what Jay Farrar was expecting for the 25th anniversary of Son Volt, the band he started in 1995 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre.
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